Still Lifes

Four Lemons in a Cup

Florals

Canna II

City Scenes

Stardust

City Scenes

Lindy’s

Still Lifes

Pots and Pan on Red

Still Lifes

Still Life with Red Shoes

Still Lifes

Three Plums in a Copper Bowl

© Marjorie Collins

Still Lifes

My aim in these paintings is to capture the effect of light and shadow creating a juxtaposition of shapes and colours by the placement of objects, food and background fabrics.

© Marjorie Collins

© Marjorie Collins

Florals

Here I will often concentrate on a single flower against an essentially plain background, the essence again being shape and shadow; sometimes, though, I will use a fabric as background but with the same general aim.

© Marjorie Collins

City Scenes

My earliest “hard edge” paintings date to immediate “post-training” years in Chicago and the influence of American artists who used that style to emphasise simplicity. Shown here are one Chicago scene and one in London that demonstrate my interest in “shape and shadow”.

© Marjorie Collins

© Marjorie Collins

© Marjorie Collins

© Marjorie Collins

People

The emphasis here is on “capturing the moment”, not on any sense of portraiture, and many of my paintings will show people from behind or the side.

© Marjorie Collins

Still Lifes

My aim in these paintings is to capture the effect of light and shadow creating a juxtaposition of shapes and colours by the placement of objects, food and background fabrics.

© Marjorie Collins

Florals

Here I will often concentrate on a single flower against an essentially plain background, the essence again being shape and shadow; sometimes, though, I will use a fabric as background but with the same general aim.

© Marjorie Collins

City Scenes

My earliest “hard edge” paintings date to immediate “post-training” years in Chicago and the influence of American artists who used that style to emphasise simplicity. Shown here are one Chicago scene and one in London that demonstrate my interest in “shape and shadow”.

© Marjorie Collins

People

The emphasis here is on “capturing the moment”, not on any sense of portraiture, and many of my paintings will show people from behind or the side.

The Artist

Marjorie Collins is a painter based in Oxford, having lived there since moving from her birthplace of Chicago in 1975. She trained at the University of Michigan and the School of the Art Institute of Chicago. In the later stages, she moved away from the Abstract Expressionism that was being taught at that time and instead, influenced by the work of the American artists Richard Estes, Edward Hopper and Alex Katz, developed her own version of Abstract Realism. Her early work was primarily on canvas and this continued for many years, but now the majority of her work is in watercolour on paper where her use of colour and hard edges still prevails, whilst in her most recent work she has returned to canvases to paint fragments of buildings in the style that she had built up over the years with watercolours.

The Artist

Marjorie Collins is a painter based in Oxford, having lived there since moving from her birthplace of Chicago in 1975. She trained at the University of Michigan and the School of the Art Institute of Chicago. In the later stages, she moved away from the Abstract Expressionism that was being taught at that time and instead, influenced by the work of the American artists Richard Estes, Edward Hopper and Alex Katz, developed her own version of Abstract Realism. Her early work was primarily on canvas and this continued for many years, but now the majority of her work is in watercolour on paper where her use of colour and hard edges still prevails, whilst in her most recent work she has returned to canvases to paint fragments of buildings in the style that she had built up over the years with watercolours.

Marjorie Collins: A Retrospective 1975-2025

Light, and the abstract shadows, shapes and reflections...

Oxford Art Society Members’ Exhibition 2023

This depiction of two pears against the flat, contrasting,...

The Artist Magazine 90th Anniversary Competition 2021

The use of shadow and reflections in this full sheet...

Society of Women Artists’ Exhibition 2018

“Three Plums in a Copper Bowl”, with its extensive use of...

Marjorie Collins: A Retrospective 1975-2025

Light, and the abstract shadows, shapes and reflections...

Oxford Art Society Members’ Exhibition 2023

This depiction of two pears against the flat, contrasting,...

The Artist Magazine 90th Anniversary Competition 2021

The use of shadow and reflections in this full sheet...

Society of Women Artists’ Exhibition 2018

“Three Plums in a Copper Bowl”, with its extensive use of...